Well, the post-fest MPSIFF schedule is out (they call it Best of Fest--I call it "Festival Leftovers"). You can see a couple of things I really liked or come to something I haven't seen yet but heard good things about.
Films I liked and are showing May 1-6:
Sunday, May 2, 4:30 pm: Nora's Will
Thursday, May 6, 7:30 pm: Letters to Father Jacob (my favorite film of the festival)
Films I heard good things about and will see May 1-6:
Saturday 1 pm: Tahaan
Sunday 1 pm: Woman with 5 Elephants
Monday 5 pm: No More Smoke Signals
Monday 9:30 pm: Tears of April
And I'm tempted to see Letters to Father Jacob again on Thursday. Especially if anyone wants to go with me.
Finally, Minnesota Shorts Program 1 and Program 2 are rumored to shown again. I'll post that as soon as I know when because they're worth making effort to see--shorts don't get shown at theaters or even at Netflix.
Thursday, April 29, 2010
Friday, April 16, 2010
Best of Fest
Hey folks! I'm going to be updating this blog post most days with the films I loved seeing at MSPIFF. I'll post a link to the MSPIFF website and I'll also post a link to the trailer if there's one available, and I'll make a few comments at each film. You could add most of these to your Netflix queue or be on the lookout at your local art theater for them.
The newest films are at the top.
Letters to Father Jacob is my best of fest in the feature film category. It's about a woman who has been pardoned from prison, and we don't know her crime until the end. She gets placed with a blind pastor, Father Jacob, tasked with reading letters requesting intercessory prayers, and responding to them. It's a simple but beautiful tale; there wasn't a dry eye in the theater at the end. Trailer.
Topp Twins: Untouchable Girls is a documentary about the Topp Twins, a yodeling lesbian country music singing and comedy duo from New Zealand. I know that sounds too weird, but my face hurt after I watched this film from smiling and laughing so much. Hold onto your hats if you go to this one. My best of fest in the documentary category. Trailer.
Nora: A beautiful visual poetry story about Zimbabwe-born dancer Nora Chipaumire--she does all the choreography in this film. The light, the dancing and the story are all amazing. Sorry, no trailer.
Nora's Will: A man finds his very controlling ex-wife's body after she commits suicide, and does everything he can to subvert her well-laid plans. I loved this funny and tender story. The filmmaker does a nice job catching and keeping your interest. Trailer.
Over the Hill Band: A bittersweet and funny film about a woman and her sons after her husband's death. She and her two friends rejoin with her wayward son to create a band. Unexpected. Funny and tender. Trailer.
La Pivellina: A "Roma" woman (gypsy) finds a two-year-old girl in a park and cares for her after she finds a note asking her not to call the police, that she'll come back for the girl. An astonishing performance by the two-year-old, and a sweet story. Trailer.
El Paso: No, this is not a film from Texas or Mexico. It's a Czech film about a Roma woman (gypsy) who is evicted and is facing massive fines. It's also about the bias and oppression she faces as a Roma. A delightful story about a not-so-delightful situation. Not only can you learn about the situation in Europe for this oppressed group of people, you can gain some insight into our own culture and the ideas (the collective) we have about some segments of our population. Trailer.
Today's Special: A heartwarming tale of an American man who reconnects with his Indian roots. As my friend and movie critic Colin Covert says, "Don't attend this screening with an empty stomach!" Written by The Daily Show's Aasif Mandvi, who also plays the main character. Sorry, no trailer.
Night Catches Us: A powerful drama about a man who comes home to Philadelphia in the summer of 1976 to face demons of the past after his father dies. I loved Anthony Mackie in Brother to Brother and now in this (and these make me want to see The Hurt Locker, finally). To top it off, it was written and directed by Tanya Hamilton, an African American woman. Yay women directors! Yay people of color in the director's chair! She was the only African American woman director at Sundance this year. Sorry, couldn't find a trailer.
Alamar: A stunningly beautiful film of a boy and his father, bonding. Yay for brown people telling their own stories from their POVs. The audience can relate directly, and they become human instead of people to be "helped" or pitied. See it on a big screen if you can. Trailer.
Oath: A documentary about Osama bin Laden's driver and the supreme court case that basically slapped Bush's hand about how he handled prisoners of war. It's amazing what kind of access this woman director and woman cinematographer got. The Oath is riveting. Trailer.
Looking for Eric: Yeah, yeah, a movie about a straight white guy. But he's deeply working class. This movie made me want to be a Manchester United football* fan, and I'm still grinning from the experience. It's a chick flick that both men and women can like. And you don't even have to like football*. (Another one I think Nils and Peg will like). Be sure to turn on English subtitles because the English in this film is heavily accented. Trailer.
*football: soccer to us Americans.
Mid-August Lunch: An Italian man and his mother take in three other elderly women for the mid-August holiday. I enjoyed its meandering story and the end; I've put it on this list because I think my friends Nils and Peg would enjoy it. Trailer.
Harlan: In the Shadow of the Jew Seuss: Veit Harlan was a cinematic film director who made the most anti-Semitic film used by the Nazis to encourage people to hate Jews (about a powerful man from the 17th century named Joseph Oppenheimer), and in this film, Harlan's children and grandchildren talk about their experience of Harlan, and of having his name, carrying guilt because Harlan always claimed he was forced to make the film. It's on my list because it's a powerful film about not guilt but repercussions and reparations.Trailer.
S.O.S.:Summer of Suspense: Another great Scandinavian film with a powerful girl. Think seventies made-for-TV kids movie where the hero is a bi-racial girl who faces off with drug dealers, and definitely updated for this century. Race is acknowledged, but isn't THE issue. Great entertainment for everyone. Trailer.
Forbidden Fruit: A Norwegian girls coming of age film--we don't see many "coming of age" films about girls, and this one is surprising in many ways because we Americans are trained well by American media and Hollywood. It reminded me why I wipe out my calendar for two weeks to spend so much time at this film fest. Trailer (no subtitles in the trailer, but you can get a sense of the film from it).
Max Manus: The best WWII film I have ever seen. Ever. Seeing this will help you understand why Inglorious Bastards is a shadow of a movie rather than a really good one. Trailer.
The newest films are at the top.
Letters to Father Jacob is my best of fest in the feature film category. It's about a woman who has been pardoned from prison, and we don't know her crime until the end. She gets placed with a blind pastor, Father Jacob, tasked with reading letters requesting intercessory prayers, and responding to them. It's a simple but beautiful tale; there wasn't a dry eye in the theater at the end. Trailer.
Topp Twins: Untouchable Girls is a documentary about the Topp Twins, a yodeling lesbian country music singing and comedy duo from New Zealand. I know that sounds too weird, but my face hurt after I watched this film from smiling and laughing so much. Hold onto your hats if you go to this one. My best of fest in the documentary category. Trailer.
Nora: A beautiful visual poetry story about Zimbabwe-born dancer Nora Chipaumire--she does all the choreography in this film. The light, the dancing and the story are all amazing. Sorry, no trailer.
Nora's Will: A man finds his very controlling ex-wife's body after she commits suicide, and does everything he can to subvert her well-laid plans. I loved this funny and tender story. The filmmaker does a nice job catching and keeping your interest. Trailer.
Over the Hill Band: A bittersweet and funny film about a woman and her sons after her husband's death. She and her two friends rejoin with her wayward son to create a band. Unexpected. Funny and tender. Trailer.
La Pivellina: A "Roma" woman (gypsy) finds a two-year-old girl in a park and cares for her after she finds a note asking her not to call the police, that she'll come back for the girl. An astonishing performance by the two-year-old, and a sweet story. Trailer.
El Paso: No, this is not a film from Texas or Mexico. It's a Czech film about a Roma woman (gypsy) who is evicted and is facing massive fines. It's also about the bias and oppression she faces as a Roma. A delightful story about a not-so-delightful situation. Not only can you learn about the situation in Europe for this oppressed group of people, you can gain some insight into our own culture and the ideas (the collective) we have about some segments of our population. Trailer.
Today's Special: A heartwarming tale of an American man who reconnects with his Indian roots. As my friend and movie critic Colin Covert says, "Don't attend this screening with an empty stomach!" Written by The Daily Show's Aasif Mandvi, who also plays the main character. Sorry, no trailer.
Night Catches Us: A powerful drama about a man who comes home to Philadelphia in the summer of 1976 to face demons of the past after his father dies. I loved Anthony Mackie in Brother to Brother and now in this (and these make me want to see The Hurt Locker, finally). To top it off, it was written and directed by Tanya Hamilton, an African American woman. Yay women directors! Yay people of color in the director's chair! She was the only African American woman director at Sundance this year. Sorry, couldn't find a trailer.
Alamar: A stunningly beautiful film of a boy and his father, bonding. Yay for brown people telling their own stories from their POVs. The audience can relate directly, and they become human instead of people to be "helped" or pitied. See it on a big screen if you can. Trailer.
Oath: A documentary about Osama bin Laden's driver and the supreme court case that basically slapped Bush's hand about how he handled prisoners of war. It's amazing what kind of access this woman director and woman cinematographer got. The Oath is riveting. Trailer.
Looking for Eric: Yeah, yeah, a movie about a straight white guy. But he's deeply working class. This movie made me want to be a Manchester United football* fan, and I'm still grinning from the experience. It's a chick flick that both men and women can like. And you don't even have to like football*. (Another one I think Nils and Peg will like). Be sure to turn on English subtitles because the English in this film is heavily accented. Trailer.
*football: soccer to us Americans.
Mid-August Lunch: An Italian man and his mother take in three other elderly women for the mid-August holiday. I enjoyed its meandering story and the end; I've put it on this list because I think my friends Nils and Peg would enjoy it. Trailer.
Harlan: In the Shadow of the Jew Seuss: Veit Harlan was a cinematic film director who made the most anti-Semitic film used by the Nazis to encourage people to hate Jews (about a powerful man from the 17th century named Joseph Oppenheimer), and in this film, Harlan's children and grandchildren talk about their experience of Harlan, and of having his name, carrying guilt because Harlan always claimed he was forced to make the film. It's on my list because it's a powerful film about not guilt but repercussions and reparations.Trailer.
S.O.S.:Summer of Suspense: Another great Scandinavian film with a powerful girl. Think seventies made-for-TV kids movie where the hero is a bi-racial girl who faces off with drug dealers, and definitely updated for this century. Race is acknowledged, but isn't THE issue. Great entertainment for everyone. Trailer.
Forbidden Fruit: A Norwegian girls coming of age film--we don't see many "coming of age" films about girls, and this one is surprising in many ways because we Americans are trained well by American media and Hollywood. It reminded me why I wipe out my calendar for two weeks to spend so much time at this film fest. Trailer (no subtitles in the trailer, but you can get a sense of the film from it).
Max Manus: The best WWII film I have ever seen. Ever. Seeing this will help you understand why Inglorious Bastards is a shadow of a movie rather than a really good one. Trailer.
Wednesday, April 14, 2010
MSPIFF Calendar 2010
MSPIFF 2010 has come and gone. Won't you join me at the Best of Fest? Or put some of my favorites on your list?
Subscribe to:
Posts (Atom)